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Voices of Creativity

Hear the artist share his journey, challenges, and definitions of success

Ivan Suvanjieff

Ivan Suvanjieff is a painter. He lives and paints on the Costa Brava, Spain. His latest Solo Exhibition, Quanta Dada NYC, was launched on May 30, 2025. Suvanjieff’s passion for social activism and free expression is evident in his diverse body of work. This commitment spans across multiple mediums, from his days as the lead singer of punk rock bands The Ramrods and The 27 to his role as associate editor of CREEM magazine. His writing is featured in “The Stooges: The Authorized Story” and he published over 50 issues of “The New Censorship: Monthly Journal of the Next Savage State.” Suvanjieff also extends his influence into the world of film; his most recent film, “Shirin Ebadi: Until We Are Free,” was recently broadcast on BBC.

Painting from the Soul, Living with Intention.

A Life Rooted in Ink, Punk, and Paint


Ivan Suvanjieff’s creative path began in Detroit, where a friend’s father—a political cartoonist—sparked his love for drawing. His mother, a landscape painter, added fuel to the fire (despite his habit of stealing her cadmium red). In his teens, Ivan channeled that energy into music, fronting punk bands and opening for John Cale. He later documented the scene in film and worked as Associate Editor at Creem Magazine. Encouraged by mentor Lawrence A. Rubin, Ivan fully embraced painting after completing rehab in 1986—beginning with watercolors and never looking back.


The Challenge of Divided Focus


In 1996, Ivan co-founded the PeaceJam Foundation with his wife, working alongside Nobel Peace Laureates to inspire youth worldwide. But constant travel made it difficult to maintain his art practice. “My creative process is like focused meditation,” he says, “and I couldn’t enter that space easily.” After decades of juggling both roles, he stepped back from PeaceJam and moved to Spain’s Costa Brava. There, surrounded by the same light that inspired Dali and Matisse, Ivan returned fully to painting working directly on blank canvas, letting shape and energy emerge freely.


Evolving Style: From Monochrome to Quanta Dada


Ivan’s artistic evolution has been as layered as his life. For twelve years, he painted exclusively in black and white to better understand the language of color. “It taught me to love the symphonies of greys, the tension of opposites, and most importantly—the power of negative space.” His current body of work, the Quanta Dada series, marks a stark contrast: it’s explosive with color, irreverence, and commentary. Inspired by the Dada movement’s reaction to WWI, Quanta Dada embraces absurdity and chaos to confront today’s crises of war, greed, and global disconnection. With painting titles like “The Untimely Death of Huckleberry Hound” and “Totally Hair Barbie,” his work challenges complacency with humor and raw emotion.

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Wisdom, Influence, and Legacy


Ivan draws inspiration from eclectic sources, Poet Frank O'Hara, painter Larry Rivers, and baseball legend Al Kaline. But one quote encapsulates his philosophy: “Paint as you like and die happy,” from writer Henry Miller. His advice to young artists facing doubt is refreshingly straight- forward: “Just shut up and paint the pictures,” echoing Robert Motherwell’s ethos. He champions self-discipline and urges emerging creatives to build their practice before the world catches up. “You can have it all,” he says, “but not all at the same time. Where you focus your energy—that’s what thrives.” Among his proudest moments is the international broadcast of his documentary “Shirin Ebadi – Until We Are Free” on the BBC. But in the end, it’s painting that brings him home to himself.


Final Thought: Art as Soul work


Ivan Suvanjieff paints from the soul. He doesn’t follow trends or cater to the market. His work is intensely personal, honest, and unfiltered—a lifelong conversation between himself and the canvas. For Ivan, art is not about perfection or approval. It’s about presence. About truth. About staying awake to the absurd, the beautiful, and everything in between.

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Quanta Dada #3: The Hunt
Acrylic on canvas, 102 "x 67" , 1989

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Quanta Dada #195: I am Not Afraid of Opera Singers
Acrylic on canvas, 35.5 " x 35.5 " 2024

“Paint for yourself. Paint from your soul. Don’t copy anyone’s style—create your own. That’s what I’ve always done. Whether I was fronting a punk band in Detroit, editing Creem Magazine, or painting in my studio on the Costa Brava, I’ve stayed true to that voice inside. You can have it all—but not at the same time. So just shut up and paint the pictures.”

Ivan Suvanjieff

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